Monday, 11 August 2014

Special Offer. $0.99. the Captain & The Countess

My novel set in the reign of Queen Anne Stuart – 1702-1714 is on special offer for $0.99 during August from https://museituppublishing and at sites listed on the website.


The Captain and The Countess by Rosemary Morris


Back Cover


Why does heart-rending pain lurk in the back of the wealthy Countess of Sinclair’s eyes? 


Captain Howard’s life changes forever from the moment he meets Kate, the intriguing Countess and resolves to banish her pain.


Although the air sizzles when widowed Kate, victim of an abusive marriage meets Edward Howard, a captain in Queen Anne’s navy, she has no intention of ever marrying again.


However, when Kate becomes better acquainted with the Captain she realises he is the only man who understands her grief and can help her to untangle her past.


5* Review on Amazon


I'm a fan of Rosemary Morris's writing. She always delivers something little different, with style.

The 'Captain and the Countess' is a powerful historical romance. Powerful, because of the stakes involved - missing children, love, desire. The theme of a search for missing children is really well done, with tension and at times heart-rending scenes.

(I sniffed into my hankie a few times, reading this novel.)

The 'Captain and the Countess' is rich in its detail of customs, beliefs, cities, classes, servants, fashions, meals and more. Set a time when ancient superstitions can destroy a young woman's life, the novel shows the transition between our more modern 'rational' time and the older medieval age with great accuracy.

The 'Captain and the Countess' is a moving romance, too. Edward is a wonderful hero, patient, caring, direct, insightful. Kate, the heroine, is tender and delightful, beset by troubles and a tragic past but always striving, always hoping. They are well-matched and I was willing them to find their HEA together, which they do.

Finally, the novel is original in the way it tackles certain themes. The hero and heroine don't simply bicker for the sake of tension. They argue because it matters and they don't sulk afterwards but seek to work together. The historical period Rosemary Morris has chosen, that of Queen Anne, just before the Regency, is wonderfully fresh and springs to life through her skilful words.

Lindsay Townshend

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T is for Theme

Now that I am back from holiday and am recovering from a virus I shall complete my ABC about writing.
As a reader and a historical novelist I consider a strong theme is essential. For example, the theme of Gone With the Wind (until the end of the novel) was Scarlet O’Hara’s unrequited love for Ashley Wilkes and the theme of Romeo and Juliet was unconsummated love. In my novel, Sunday’s Child it was the hero’s fear of his future wife becoming pregnant caused by a dreadful experience when the British fought against Napoleon in the Iberian Peninsula.

It would be interesting to know how many authors only begin a novel when they have chosen a theme.

I spend a lot of time creating my characters and naming them after deciding on a plot and then choosing the theme.

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