MuseItUpPublishing 4th Anniversary

MuseItUp is celebrating its 4 Year Anniversary with 50% to 80% OFF specials until the 31^st October.

The Link is. https://museituppublishing.com/bookstore/index.php/component/content/article/3-about/about-us/470-museitup-4-year-anniversary-specials#top

My historical novels are included in the specials.

Sunday’s Child. 80%off. £0.77p. $1,25

Tangled Love. 50% off.  £1.84  $2.99

Far Beyond Rubies. 50%off  £1.90  $ 3.09

The Captain and The Countess 50%off  £1.99  $3.09

To view the book covers and read the first three chapters of each novel please visit my website.

www.rosemarymorris.co.uk

 

 

 

                                             

Z is for Zest

I deleted this post by mistake so I am reposting it.

Z is for Zest

 

Zest, or enthusiasm and keenness, are essential for a novelist. Would be published novelists have told me they wrote, for example, a quarter or half of a novel and gave up. Either they lost interest in the plot and theme, or they abandoned their would-be masterpieces because they couldn’t find time to write or because it was too difficult to finish them.

 

Published or unpublished authors need zest, by which I mean enthusiasm for the novel, and they also need to be keen enough to persevere no matter how many times their books are rejected.

 

In my early twenties my first novel was accepted by a reputable publishing company. I didn’t know that to ensure publication the date on which my novel would be released needed to be included in the contract. The publishing house changed hands and the new commissioning editor didn’t like my novel. I continued to write for some years before my circumstances changed and I did not have the opportunity to do so. Years later, my late husband encouraged me to pursue my dream of writing historical fiction. It was the nudge I needed to write all the stories which had been in my mind for years. After enough rejections to paper the wall in my lavatory I acquired an agent. Deep, deep sigh, he didn’t secure a contract for me. More disappointments followed until my publisher accepted Sunday’s Child.

 

My keenness to be published and a string of rejections are not uncommon. Many other novelists have had similar experiences.

 

It is zest which separates published and unpublished writers from those who don’t finish a novel, which is a huge achievement, from would-be-writers.

 

e-books available from https://museituppublishing.com, www.amazon.com, www.amazon.co.uk & elsewhere. Sunday’s Child, False Pretences, Tangled Love, Far Beyond Rubies, also available as a print book, & The Captain and The Countess.

 

Rosemary Morris

www.rosemarymorris.co.uk

 

 

 

GThe Challenge of Writing Historical Fiction

All the good advice given in books on how to write fiction is applicable to writing historical fiction.

Writers must enjoy writing even when they encounter obstacles. This is particularly true of writing historical fiction. Historical novelists require a profound interest in all things historical.

The historical novels that I read more than once sweep me into the activities and ‘mind sets’ in a way which I enjoy.

When writing historical novels I enjoy recreating times past and presenting plots and themes unique to the country and era that I present to my readers.

Thomas Carlyle 1795-1881 wrote: “No great man lives in vain. The history of the world is but the biography of great men.” (Today, he might have written: Great men and women.) To add veracity to my fictional characters I either mention or allow historical characters to play a part. In my forthcoming release Tangled Love Queen Anne, the Duke of Marlborough and his wife, Sarah, Duchess of Marlborough have their place. All too often, there is not as much information about less important people as a novelist would like. However, imagination is any novelist’s best friend, and a historical novelist can people novels with colourful but imaginary characters.

History, or Herstory, interests me and provides more ideas than I have time to develop; but what is history? One of the definitions in Collins English Dictionary is: “A record or account, often chronological in approach of past events, developments etc.” Thomas Carlyle wrote: “What is all knowledge too but recorded experience and a product of history; of which, therefore, reasoning and belief, no less than action and passion, are essential materials?” Yes, indeed, these are the heady ingredients which historical novelists can incorporate in novels.

For various reasons many people’s knowledge of history is scant. For example, Charles II, the merry monarch, is fairly well known but his niece Queen Anne is not. Yet most people are interested in the past even if history did not interest them at school and they chose to study – for example – computer studies, catering or modern languages. Programmes such as Dontown Abbey, the first two parts of which have been shown on television in the U.K., has attracted a vast audience. No doubt they will generate further interest in the era prior to and during the 1st World War. Undoubtedly, this interest will increase the sales of fiction and non fiction relevant to the period.

Last week, in my blog about Writing Historical Fiction, I referred to my dislike of novels in which history is ‘despoiled.’ Fiction must entertain, but it is also the author’s responsibility to reveal past times and interpret history as accurately as possible. There should be much more than dressing characters in costume and allowing them to act as though they are twenty-first century people. For example, when writing about countries in which Christianity predominated, religious conflict can provide a powerful theme but faith and attendance at church is often ignored.

Rosemary Morris
Historical Novelist

New releases from MuseItUp Publishing,
Tangled Love 27.01.2012
Sunday's Child 06.2012

A Novelists Path to Publication

A Novelist’s Road to Publication

Most published novelists agree that it is extremely difficult for a new writer to find a publisher.

I wrote my first novel when I was a young woman. The first publisher I submitted it to accepted it. From there everything went downhill. I did not know that the date of publication should be included in my contract. Without this the publisher could withhold publication indefinitely. When I signed the contract I was living in East Africa and gave power of attorney to my brother. That was my second mistake. The publishing house had moved country and the new editor was not interested in my novel. Unfamiliar with the publishing world my brother accepted payment in lieu of publication.

Very discouraged, I continued writing and had a few minor successes. Many years later, after leaving Kenya and living in an ashram in France, I returned to England, my late husband encouraged me to continue writing.

I took his advice and was grateful for his encouragement. ‘Keep on writing, darling,’ he said, ‘one day you will have a novel accepted and then all your previous novels will stand a good chance of being accepted.’

Hopefully he was right. Years later, he would be pleased and proud because two of my historical novels, Tangled Love and Sunday’s child have been accepted.

I’ve always had plenty of ideas but I needed to refine my writing skills. Over the years I have read books on How To Write, attended two writing holidays in Wales, joined the Romantic Novelists Association of Great Britain New Writers Scheme, submitted my current work to critique groups and critiqued other peoples’ work as well as joining a Writers’ group.

In 2007 my historical novel Tangled Hearts was accepted by an online publishing house which subsequently went out of business. However, the publisher taught me a lot about publicising my work on and offline. Unfortunately, it was a bitter experience for more reasons than I will share, and the experience included non-payment of my royalties.

Determined to achieve my dream of finding a reliable publisher I continued to write and research my historical novels. Another author told me about MuseItUp Publishing. I submitted my novel Tangled Love, previously published as Tangled Hearts, to MuseItUp. Tangled Love set in England in Queen Anne’s reign (1702-1714) will be published by MuseItUp on January 27 2012.

Several months after signing the contract for Tangled Love, I submitted my historical novel Sunday’s Child set in the Regency era between 1813 and 1815 prior to the Battle of Waterloo.

I wrote Sunday’s Child some years ago and it went through the New Writers Scheme. The reader’s report was excellent. I revised the novel and worked on it with one of my critique groups. Having, ‘scrubbed, dusted and polished’ the novel I submitted it to publishers. After each submission it winged its way home to my pigeon loft (my office in the spare bedroom). I had reached the point when I thought I would never have another novel accepted but I submitted it to MuseItUp. To my delight, my publisher loves Sunday’s Child, which will be published in June 2012.