Kick Starting the Muse

Kick Starting the Muse

I would be a rich woman if I received a pound each time someone tells me, “I could write a novel.” I usually ask why don’t you write it. More often than not the reply is, “I don’t have time.”

Time is the factor which separates writers from would be writers. There is always something which beckons a writer whether it is a mundane task such as doing the laundry, which I should make a start on right now, or accepting an invitation.

I would be even richer if I received a pound each time someone asks, “Where do you get your ideas from?” When the writing is not going well I’m tempted to smile and reply, “From the supermarket.” Actually, that’s not quite as far fetched as it seems. I’ve often overheard partial conversations that trigger an idea or seen a face which seems to step out of a historical era, a Roman soldier, a Norman Knight, a Mediaeval lady, a Franciscan monk, a Cavalier etc.

Potential material to kick start the muse is all around me and in non fiction, biographies and autobiographies. I am a historical novelist so my muse responds to something I read about times past, which must then translate itself onto the computer.

Stephen King wrote. “Don’t wait for the muse. This isn’t an Ouija board or spirit world we are talking about here, but just another job – like laying pipe or driving long-haul trucks.”

So, how have I trained my muse? I have always understood the importance of having a place to write in which my muse and I can settle down. Once it was at a desk in the corner of the living room, today it is the smallest bedroom in the house which I have converted into an office.

After long hard battles my sometimes reluctant muse now understands that I have a regular writing routine. I rise early in the morning, deal with some e-mails, edit the last few pages of the previous day’s work in progress and then write until 10 or 11 a.m. Later in the day I work from 4 or 5 p.m. to 8 or 9 p.m., and sometimes my muse prompts me at night with an idea.

Anyone can establish a writing routine. The important thing is to write for set periods whether they are long or short. For example, if we write half a page a day we will have finished a novel by the end of the year. A bonus is that the muse will respect this and, as the saying goes, knuckle down to work.

My muse stays with me most of the time. When I’m doing housework, gardening or shopping Muse helps me to plot and plan. Recently, while at the health suite enjoying my time in the Jacuzzi, my muse and I have been considering the sequel to my novel, Sunday’s Child. We have been tossing ideas backwards and forwards, rejecting some and building on others. By the time we settle at the computer or the laptop we will have a plot and theme.

Regardless of whether we are published or unpublished, if we are determined, with the help of our muses, we will find the time and space to write.

Rosemary Morris
Historical Novelist

Publisher MuseItUp
Tangled Love January, 2012
Sunday’s Child June 2012
False Pretences October 2012

http://www.rosemarymorris.co.uk

Memories of Kenya and The Bolter by Frances Osborne

Memories of Kenya & The Bolter by Frances Osborne


I have mixed memories of my life in Kenya from 1961 to 1982. On the plus side are my happy recollections of the coast with its golden beaches, the grasslands teaming with wild animals, the lush green highlands. On the minus side I was always a stranger in a strange land. I missed my family and friends in England and in spite of a privileged lifestyle wanted to live in England. In fact, one of the happiest days of my life was when I returned to Europe for good.

Although Kenyan life was not one I embraced, I enjoy reading about the country. Karen Von Blixen’s Out of Africa and Elizabeth Huxley’s Flame Trees of Thika are two of my favourite books. I also found The Lunatic Express about the building of the railway interesting, and shuddered at the thought of the man eating lions the workers encountered in – if my memory is correct – Tsavo on the way from Mombasa to Nairobi.

I am now reading The Bolter the biography of Idina Sackville by Frances Osborne, about which Valerie Grove of the Times writes: ‘A corker of a subject, Idina’s behaviour…probably inspired The Bolter in Nancy Mitford’s The Pursuit of Love. Osborne’s richly wrought descriptions of glittering Paris nights and lush mountainous landscapes of Kenya’s Happy Valley are fabulous…A breakneck-paced, thoroughly diverting story.’

Apart from the account of Idina Sackville’s life are evocative descriptions of Kenya – the land, its people and settlers.

Idina and her second husband, Charles, won a 3,000 acre farm in a government lottery. When they reached their land: “…ahead of them the Aberdare Hills rolled dark green in the setting sun; from them fell ice-cold brooks, swollen by the recent rains. Below these their virgin farmland glowed with luminescent grassland and thick, red soil.”

Although the land had been developed by the time I lived in Kenya, there were many such views in the Highlands and always the rich red, fertile soil. When Idina settled there “Each bush throbbed with creatures large and small. Elephant, giraffe and antelope rustled through breaking out and swaying across open land. Leopard and monkey hung from trees reverberating with birdsong….at night when Idina and Charles sat outside they were surrounded by lookouts watching for wandering elephant, big cats or buffalo – its long, curved horns the most lethal of all.”

All this I can relate to but if I regret anything it is the golden Mombasa beaches on the undeveloped, idyllic south coast where we rented a house during our children’s school holidays. We played in the surf, swam in the warm sea and searched for shells at peace with the world.

www.rosemarymorris.co.uk
http://rosemarymorris.blogspot.com

Spinach and Curd Cheese Curry

I am writing a novel set in Queen Anne’s reign in which the hero lived in India for some years. He became a vegetarian and this is one of the recipes he brought back to England. I hope you will enjoy the receipt – as he would have called it - as much as he did.

Spinach and Curd Cheese Curry

¼ kilo paneer – curd cheese
½ kilo baby spinach
¼ kilo fresh or frozen peas
3tablespoons olive oil or vegetable oi
2 tablespoons of finely grated ginger
1 or 2 chillis optional.
Juice of one lemon
Salt to taste
Pepper to taste

1. Cut curd cheese into cubes. Deep fry until golden brown and put in a bowl of cold water to keep it soft until needed.
2. Shred and cook the spinach until tender in four tablespoons of water. Add more water if necessary to prevent it burning.
3. Cook the frozen or fresh peas.
4. Heat the oil in a large pan. Add the ginger and chillis and stir fry for one minute. Add the spinach and peas with the salt and pepper. Cook for two or three minutes on a high heat stirring all the time. Add the curd cheese and, if necessary a little water to keep the ingredients moist, and cook for two minutes. Turn off the heat and stir in the lemon juice. Serve with lemon wedges, chappatis and or rice with or without a dahl, a spiced soup and green salad tossed in lightly salted yoghurt.

How to Critique a Novel or Short Story

How to critique a Novel or Short Story

As the recipient of many critiques and assessments of my work I have sometimes been dismayed by a critiquer’s comments about my novels and short stories. On the other hand, on occasions, a critiquer has been too full of praise instead of suggesting improvements. The best critiques have been a balance between the positive and the negative.

I belong to three online critique groups and Watford Writers, which meets every Monday at Café Cha Cha in Cassiobury Park at 7.30 p.m. Watford Writers hosts manuscript evenings at which members may read their work, whether it is non fiction, short stories, extracts from novels or poetry.

Members of the online critique groups post chapters of their novels and receive critiques in return for critiquing other members’ critiques. In each group members choose four or more partners whose chapters they critique once a month or more. Over the years most members have offered constructive comments. Those who have been negative or who have ‘flamed’ have been a small minority who the moderators have dealt with – occasionally excluding the offender from the group.

Watford Writers are a friendly group whose feedback I find invaluable. No matter how often I read my work silently or out loud from the computer screen or from the printed page I always miss things which need to be improved. Reading my work aloud to an audience helps me to identify problems for myself and to receive good advice from other writers.

In return for other authors’ generous help I always try to offer the best possible advice and bear the following in mind.

To begin with, I concentrate on the positive and ask myself what I like about the author’s work.

I then consider various issues, which I hope will be helpful, and sometimes remind the recipient that the suggestions in any critique only reflects one person’s opinion, and that the recipient is free to accept or reject them.

I ask myself if I enjoyed the story and, in the case of novels, ask myself if I want to read on and find out what happens next. My next question is who would want to read it and does it stand a good chance of being published?

Important considerations are as follow.

Does the first line make the reader want to continue? Do the opening paragraphs grip the readers’ attention? Will the conclusion make the readers sigh with satisfaction and be sorry they have finished the novel?

I then consider and comment on the nuts and bolts of the writing, not forgetting to praise a few particularly well-turned phrases and ask myself the following questions.

Is there sufficient conflict to make the work interesting?

Do the major and minor characters spring to life? Are they believable and do they act in accordance with their personalities with sufficient emotional depth?

Is the plot believable and do the theme/s grip me and make me want to find out what happens next?

Are the settings believable? Has the author checked the world in which the characters move?

If the novel is historical has the author researched it carefully and are the characters of their time?

Is there enough dialogue to move the story forward and is it well written or either awkward or stilted? If the author uses dialect is it believable?

Has the author jumped from one character’s viewpoint to another’s? If so does this make it difficult for the reader to identify with the characters?

Overall is the manuscript well written and is it properly formatted.

In my critique I make everything I like clear and also answer the above questions to the best of my ability.

Most of my critique partners tell me they appreciate my critiques so, thank goodness, I must be doing something right.

****

Forthcoming releases from MuseItUp Publishing

Tangled Love set in England in Queen Anne’s reign 27.01.2012
Sunday’s Child set in the Regency era June.2012

www.rosemarymorris.co.uk
http://rosemarymorris.blogspot.com

Online Writers Critique Groups

Online Writers’ Critique Groups

Last week I wrote about Writers Circles. This week I’m writing about my experience of the three online writers’ critique groups which I belong to.

My experience of these groups for historical novelists has been positive. However, via the proverbial grape vine I’ve heard that some authors’ experiences have been unproductive. My advice would be to search for a suitable group.

Members of the groups I belong to are not allowed ‘to flame’. They are expected to be polite and offer constructive critiques.

Each group is for writers who are conversant with the unwritten rules of writing and are seeking publication.

In return for receiving critiques, members are expected to reciprocate.

Over the years, I have made new friends who trust my comments on their novels. A few of us met in person. One charming lady and I meet from time to time, visit places of historical interest and, over lunch, discuss ‘writerly’ matters.

There are always some fellow writers on the groups with whom I am on ‘the same wavelength.’ Through them I’ve been introduced to eras I know little about and they have been introduced to the Stuart Queen Anne’s era – 1702-1714.

When I receive a critique I always remind myself that the comments in it only reflect one person’s opinion and it is up to me to accept or reject them. Sometimes I have enjoyed writing a flowery passage which a critiquer rightly suggests toning down. On other occasions flaws and inconsistencies in the plot are pointed out.

It is also useful to receive comments on unconsciously telling the reader about an incident instead of revealing it through the character, on head hopping when I change from one character’s viewpoint to another’s, too much emotion or a lack of emotion at crucial points. All this is free for the taking and helps me to improve my novels.

Achieving publication has never been easy. There are more examples of writers whose work was rejected time and time again before they became either classical authors or modern best sellers than I have space to mention. I am sure you can think of some, including J. K. Rowlings who wrote the Harry Potter series. In order to be published writers need to do everything they can to help themselves. I belong to a writers circle and to critique groups in order to scrub, dust and polish every sentence in my work.

Forthcoming release. Tangled Love (previously published as Tangled Hearts) 27.01.2012

www.rosemarymorris.co.uk

http://rosemarymorris.blogspot.com

Writers Groups

Writers Groups

I spend eight hours or more writing and dealing with matters related to writing.

While writing there is no one to metaphorically hold my hand, encourage me and help me to improve my work in progress.

From my first draft of a novel or article I try to write to the best of my ability and avoid the many pitfalls which plague authors. By the time I have written several drafts, revised and edited my work I know it inside out, upside down and back to front, and that is the problem. I reach the stage when I no longer see typing errors and other mistakes because I am so familiar with my typescript – faulty punctuation, writing from the author’s point of view instead of the character’s and telling the character’s story instead of showing the character’s actions. No matter how interesting my novel or article is these unprofessional mistakes might result in an agent or publisher rejecting my submission.

Fortunately, there is help available. I belong to Watford Writers, which meets every Monday evening with the exception of Bank Holidays.

On manuscript evenings I read approximately 2,000 words from my work in progress and receive helpful comments. Someone might point out a weak spot in the plot, an awkward phrase or something unnecessary for which I am very grateful. After all, to achieve my goal of having more work published I need to constantly improve my craft.

Apart from manuscript evenings Watford Writers invites guest speakers or guests who conduct workshops. Last year I handed in my non-fiction article titled Baroness Orczy and Her Muse at a workshop. The feedback was invaluable. The article needed to be divided into two. I accepted the advice and used the material to write two articles, the first titled Baroness Orczy and the second titled The Scarlet Pimpernel.

At Watford Writers I heard about Vintage Script, a small press magazine devoted to past times. I submitted Baroness Orczy and the article has been published in the magazine’s first edition.

I’m so busy researching my novels and articles that I rarely venture into other fields. However, Watford Writers holds flash fiction competitions in which I have recently participated. So far, I haven’t won anything but writing something very different to my chosen field challenges me to ‘think outside my box’.

Recently, Watford Writers invited its members to submit a 500 word competition story. The theme is The Blue Door. To enter it I had to dig deep into my imagination to find what I hope is an original plot. My entry is called Paradise Lost and even if it is not placed I will still be pleased to have taken part.

Last week was one of the four social evenings held every year. A member organised a quiz – which dismayed me because I know so little about some subjects – for example sport and pop music.

Somewhat nervous I arrived at Café Cha Cha in Cassiobury Park on the quiz evening. It was a hot with a hint of thunder so we sat outside the café looking out over the beautiful park with drinks and plates of food from the buffet to which we all contributed.

I was pleased when I knew the answers to questions relating to gardening and literature but dismayed by the 25 questions about pop music.

Our group lagged behind but we had a stroke of luck. The organiser did not know that one of the ladies in our group had been a disc jockey in South Africa. We scored 50 out of 50 on that final round and won prizes. Mine was a writing magazine and a very useful computer dictionary.

So, if you can find a constructive writers circle that will welcome you, I suggest you visit it and amongst other things make new friends. If you live in or near Watford, Hertfordshire, do drop in at one of out meetings at 7.30. p.m. on Monday evenings. You will be very welcome,

All the best,

Rosemary

Tangled Love set in Queen Anne’s reign 1702-1714 to be published by Muse It Up on the 27.01.2012 (Previously published as Tangled Hearts.)

www.rosemarymorris.co.uk
http://rosemarymorris.blogspot.com

Retro Centre Samuel Pepys

Retro Centre and Samuel Pepys

I always enjoy visiting St Albans. Yesterday I visited a treasure house of items from times past at a Retro Centre, which I will visit again, and I shall attend the Retro Fair next weekend.

The Retro Centre is divided into sections where different sellers arrange their wares. China, glass, curios, soft furnishings, clothes and a treasure house of books.

As I went round I yearned to own a country cottage with oak beams which I could decorate with colourful china, lace edged throws, embroidered tablecloths, traycloths, framed tapestries and embroidered or tapestry cushions. Having admired, picked up and put down various items I found the book section after I rummaged through clothes and admired costume jewellery.

This is the year when I’m supposed to be saving money but I couldn’t resist three books by one of my favourite historians, Arthur Bryant, Samuel Pepys The Man in The Making, Samuel Pepys The Years of Peril and Samuel Pepys The Saviour of The Navy.

I have collected a number of Arthur Bryant’s books and always enjoy his style. Samuel Pepys, The Man in the Making begins: - “North of Cambridge lie the Fens. The sea from which they arose laps at their northern boundaries, and north and east great rivers lazily wind across them, drawing black cattle to drink among the sedges at their brink. This land would be one of silence were it not for the innumerable company of larks, of bittern, coot and moorhen, of sedge warblers and reed sparrow, which ever provides it with a faint and not discordant music. In summer it is still, as the monk William of Huntingdon remembered it, a land of clouds and orchards and golden corn. Yet it is so only by right of battle waged ceaselessly by its invading armies of water. Whenever civilization has receded – when Roman legion fell back or monastery bell was silenced-the waters have taken back their own. Salt tides have swept in with winter gales through forsaken walls, and the rivers have flowed out, cold and remorseless, over the fields and houses of man.

“.…On this land came the Pepys’s. For centuries they had grazed and ploughed, haggled at markets over country wares and peered at the Fen skies…”

Although Samuel Pepys was first published in 1933 it has not dated and is full of fascinating information, and I the preface very interesting.

“…Samuel Pepys was the creator of three remarkable, and still surviving things. The first, in the order of their making, was his Diary. The second was the civil administration of the Admiralty-the rule –and order that still give permanence to the material form, fighting traditions and transmitted knowledge of the Royal Navy. …Lord Barham testified that there was not a department of the Admiralty that was not governed by he rules Samuel Pepys had laid down in the 17th century. It was Pepys who made the scabbard for the sword that Nelson, and the heirs of Nelson used.

“Pepys third creative achievement sprang from the second. He has bee described as the father of the Civil Service. Here, too, his orders hold. The rules he laid down and the administrative principles he elucidated have become part of the continuing life of his country…”

I am writing a light-hearted novel set in the Restoration period when Charles Second came to England after his exile which followed his father’s execution. I always try to ensure that my novels are as well-researched as possible and Arthur Bryant’s trilogy about Pepys will be invaluable.



Forthcoming release. Tangled Love 27.01.2012 Muse It Up Publisher.
www.rosemarymorris.co.uk

http://rosemarymorris.blogspot.com