Wednesday, 17 September 2014

Special Offer, Tangled Love, Historical Novel,


 


Tangled Love by Rosemary Morris


Prologue


England -1693

 

Nine year-old Richelda Shaw sat on the floor in her nursery. She pulled a quilt over her head to block out the thunder pealing outside the ancient manor house while an even fiercer storm raged deep within. Eyes closed, she remained as motionless as a marble statue.

Elsie, her mother’s personal maid, yanked the quilt from her head. ‘Stand up child, there’s nothing to be frightened of. Come, your father’s waiting for you.’

Richelda trembled. Until now Father’s short visits from France meant gifts and laughter. This one made Mother cry while servants spoke in hushed tones.

Followed by Elsie, Richelda hurried down broad oak stairs. For a moment, she paused to admire lilies of the valley in a Delft bowl.  Only yesterday, she picked the flowers to welcome Father home before arranging them with tender care. Now, the bowl stood on a chest, beneath a pair of crossed broadswords hanging on the wall.

Elsie opened the great massive door of the great hall where Father stood to one side of an enormous hearth. Richelda hesitated. Her eyes searched for her mother before she walked across the floor, spread her skirts wide and knelt before him.

Father placed his right hand on her bent head. ‘Bless you, daughter, may God keep you safe.’ He smiled. ‘Stand up, child. Upon my word, sweetheart, your hair reminds me of a golden rose. How glad I am to see roses bloom in these troubled times.’

Richelda stood but dared not speak for she did not know him well.

Putting an arm round her waist, he drew her to him. ‘Come, do not be nervous of your father. Tell me if you know King James II holds court in France while his daughter, Mary, and William, his son-in-law, rule after seizing his throne?’

‘Yes, Mother told me we are well rid of King James and his Papist wife,’ she piped up, proud of her knowledge.

With a sigh, Father lifted her onto his knee. ‘Richelda, I must follow His Majesty for I swore an oath of allegiance to him. Tell me, child, while King James lives how can I with honour swear allegiance to his disloyal daughter and her husband?’

Unable to think of a reply, she lowered her head breathing in his spicy perfume.

Father held her closer. ‘Your mother pleads with me to declare myself for William and Mary. She begs me not to return to France, but I am obliged to serve King James. Do you understand?’

As she nodded her cheek brushed against his velvet coat. ‘Yes, I understand, my tutor explained why many gentlemen will not serve the new king and queen.’

‘If you remain in England, you will be safe. Bellemont is part of your mother’s dowry so I doubt it will be confiscated.’

If she remained in England! Startled, she stared at him.

Smiling, he popped her onto her feet. ‘We shall ride. I have something to show you.’

*****

Before long, they drew rein on the brow of a hill. Father pointed at a manor house in the valley.  ‘Look at our ancestral home, Field House. The Roundheads confiscated it soon after the first King Charles’ execution.  Richelda, I promised my father to do all in my power to regain the property.’ Grey-faced, he pressed his hand to his chest.  ‘Alas, I have failed to keep my oath,’ he wheezed.

Richelda not only yearned to help him keep his promise to her grandfather, she also yearned to find the gold and jewels legend said her buccaneer ancestor, Sir Nicholas, hid.

She waited for her father to breathe easy before she spoke. ‘If we found the treasure trove you could buy Field House.’

 ‘Ah, you believe Sir Nicholas did not give all his plunder to Good Queen Bess,’ he teased.

 ‘Elsie told me legend says he hid some of his booty in Field House,’ she said excited by the thought of a treasure trove. ‘In his old age, when Sir Nicholas retired from seafaring, is it true that he put his ship’s figurehead, Lady Luck, in the great hall?’ she asked by now less shy of him.

‘Yes, for all I know she is still above a mighty fireplace carved with pomegranates, our family’s device.’

‘I would like to see it.’

 ‘One day, perhaps you will. Now, tell me if you know our family motto.’

‘Fortune favours the brave.’

‘Are you brave, my little lady? Will you swear on the Bible to do all in your power to regain Field House?’

To please him, she nodded.

 

* * * *

 

Tangled Love, is on special offer for £1.84 OR $3.05.

 

Available from:-

https://museituppublishing.com/bookshopwww.amazon.com.www.amazon.co.uk kobo, nook, barnes and noble and elsewhere.

 

View the book trailer and read the first three chapers at:


 

 

 

 

 

 

 

 

 


 


 

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Tuesday, 16 September 2014

Nasty Review. Help Please


Vicious Attack.

 

I am not the only novelist to have received a distressing, vicious review of one or more novel.

Another novelist suggested we should take action by replyitng and readers cab support us by replying No to amazon’s query “was this review helpful to you?”

Unfortunately, in spite of other 5***** reviews, two people replied Yes to the question re:my novel Tangled Love which currently on special offer.

If it is not against your conscience, I would be grateful if you would visit www.amazon.co.uk search the kindle store for Tangled Love by Rosemary Morris, visit the reviews, find the only 1* review and reply: No this review was not helpful.

Amongst other things the reviewer commented on clichés in Tangled Love. As I explained yesterday, my contents and line editors would dispute their use and I would agree not to use them, unless I used a cliché very occasionally in conversation.

I would be pleased to do this for another novelist who receives an unjustified attack on a novel.

Personally, if I can’t give a book a 4**** or 5**** review, I don’t post one – in other words if I don’t have anything nice to write, I don’t post anything.
 
All the best,
Rosemary Morris
Historical Novelist
 
Visit my website to read the first three chapters and view the book trailer.

 

 

 

 

 

 

 


 

 

 

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Saturday, 13 September 2014

Tangled Love. Historical Novel. Special Offer.

 Just to let you know that my historical novel, Tangled Love, is on special offer for £1.84 OR $3.05.

 Tangled Love set in England in 1706 during Queen Anne Stuart’s reign is a story of two great estates, duty, honour, betrayal and passionate love.

 Available from:

www.amazon.com.
www.amazon.co.uk
and elsewhere.

 Read the first three chapters and view the book trailer for free on Rosemary Morris’s website. www.rosemarymorris.co.uk

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Sunday, 10 June 2012

Pre-order Special Offer Sunday's Child Regency Novel by Rosemary Morris

Sunday’s Child – Announcement




I am proud to announce that my novel Sunday’s Child set in the Regency era will be published on the 15th of June by MuseItUp publishing, and that there is a pre-publication discount of 22%.



The idea for Sunday’s Child came while I read about modern day soldiers suffering from post traumatic syndrome, and the effect on the families of those who lost a soldier in war.



What, I asked myself, would be the effect on Sunday’s Child whose beloved father and brothers died while fighting against the French in the Napoleonic Wars, and on a brave major who underwent a horrific experience, in the days when there was no counselling for post traumatic syndrome? How would they overcome their experiences?









Sunday’s Child

Prologue

Hertfordshire, England

1810



Fourteen year old, Georgianne Whitley leaned over the banister to watch her aunt’s butler admit a handsome cavalry officer dressed in uniform. One day, her mamma frequently assured her, she would marry such a military man, a member of her dear father’s regiment. Of course, this officer was probably too old to ever be her husband. However, in future, she was sure she would meet someone equally handsome with whom she would fall in love. She giggled. ‘Love is not the main prerequisite for marriage,’ Mamma always claimed. According to her mother, rank, lands, and wealth were more important whereas, according to Papa, love was the only reason to marry.

She turned her head to look at her cousin, Sarah Tarrant. “Who is he?”

“Don’t you recognize him? He is my half brother, Rupert, Lieutenant Tarrant.”

“Of course, but he has changed so much since I last saw him five years ago. He is taller.

Careless of whether or not he would look up and see her, Georgianne inched forward until, bent almost double, she could still gaze down at him.

Rupert removed his shako, revealing his thick, sun-kissed fair hair.

Sarah put her arms around Georgianne’s waist. “If you are not careful, you will fall.”

Georgianne gripped the rail of the highly polished oak banister while she straightened.

“Look at your gown. It’s crushed. You’re such a…a hoyden.”

She stamped her foot. “No, I’m not.”

“Yes, you are. My mamma says you are.”

“Well, she is wrong.” In spite of her denial, rueful, she looked down at her crumpled, white muslin gown. What would her aunt say if she knew Papa had taught her to shoot? Once again, she peered over the banister. A ray of June sunshine from the window illuminated the gold braid on Rupert’s scarlet uniform. Yes, one day she really would marry such an officer to please herself, and her parents.



Chapter One

Hertfordshire, England

November 1813



Rupert, Major Tarrant, caught his breath at the sight of seventeen year old Georgianne. Black curls gleamed and rioted over the edges of her bandeau. Georgianne’s heart-shaped face tilted down toward her embroidery frame. Her hands lay idle on her gown. It was lilac, one of the colours of half-mourning. A sympathetic sigh escaped him. She wore the colour out of respect for her father, who lost a hand and leg, during the Battle of Salamanca, and died of gangrene more than a year ago.

There had been so many deaths since he last saw Georgianne. Not only had her brothers died during the storming of Ciudad Rodrigo but his elder brother had drowned six months ago while bathing in the lake on their father’s estate.

He advanced into the room with Adrian, Viscount Langley, at his side. Georgianne looked up and smiled. He caught himself staring into her hyacinth blue eyes, fringed with long black lashes. Colour crept over her high cheekbones. Her arched eyebrows drew together across her smooth forehead. Egad, she had the sweetest countenance he had ever seen; one with the lustrous, milky white sheen of china, and bow shaped rose pink lips to catch at the heart.

Georgianne stood.

He bowed. “My condolences.”

Sarah, clad in full mourning for her older half-brother, stood to make her curtsy to Langley. “I trust you have everything you require, my lord?”

Langley bowed. “Yes, thank you.”

“My lord, allow me to introduce you to my cousin, Miss Whitley.”

Georgianne curtsied as his lordship crossed the parlour to make his bow.

Tarrant inclined his head. “Ladies, please excuse us, we must see to our horses.”

Sarah shook her head at him. “See to your horses? The grooms can do so.”

Georgianne gurgled with laughter. “Ah, Sarah, have you forgotten how cavalrymen fuss over their mounts?”

“Excuse us.”

****



After the gentlemen left, Georgianne glanced at her cousin. She had seen little of her since Sarah yielded to the family’s persuasion to marry Wilfred Stanton, heir to his uncle, the Earl of Pennington.

Despite her reluctance to leave home because of her mamma’s unfortunate habit, and extravagant displays of grief over the loss of her husband and sons, Georgianne agreed to visit her cousin Sarah, who suffered from melancholy after the birth of a son.

Anxious for her mamma and two younger sisters, she reminded herself Whitley Manor—on the southern outskirts of Cousin Stanton’s Hertfordshire parish—lay a mere fifteen minutes away by carriage.

“Are you daydreaming, Cousin?”

Georgianne pretended to be busy untangling another strand of embroidery thread. “No.”

“Did I tell you Papa wants Tarrant to resign from the army now he is Papa’s heir?” Sarah’s needle flashed in and out of her work.

“Yes, several times.” Georgianne shivered, stretched her hands toward the fire, and fought a losing battle with the draughts in the old vicarage.

“Are you not interested in dear Tarrant?”

Georgianne bent her head. Once, she had wanted to marry a military man. However, after the loss of her father and brothers, she changed her mind for fear death might snatch him from her, either on the battlefield or as a result of wounds sustained in combat. She shook her head, remembering the dreams she harboured three years earlier when she last saw Major Tarrant. How her life had altered since then. Most of the time, she lived cloistered at home in reduced—yet not impoverished—circumstances. She spent her life in an endless round of mending and embroidery, both of which she detested. Her only escape from this drab existence consisted of daily walks, rides, or reading her beloved books. A yawn escaped her. Oh, the tedium of her days at home.

“You have not answered my question.”

Georgianne gathered her thoughts. “Yes, Sarah, I am interested in Major Tarrant. After all, we have known each other since we were in the nursery.”

“Good, but what are you thinking about? You are neglecting your sewing.”

Georgianne picked up her needle and thrust it in and out of the chemise, careless of the size of her stitches. Already she loathed the garment and vowed never to wear it.

“Papa wants Tarrant to marry,” Sarah rattled on.

Eyes downcast, Georgianne set aside her sewing and wrapped her arms around her waist for comfort. Before they died, her brothers and father had expressed their admiration for Major Tarrant in their letters. She shrugged. Once upon a time, she had built a castle in the air inhabited by Major Tarrant, a mere lieutenant when she last saw him.

Mamma still insisted on love not being the prime consideration for marriage, but novels and poems contradicted her opinion. Georgianne wanted to fall in love with one of the many eligible young gentlemen available: maybe a titled gentleman like Viscount Langley, provided he was not a military man. She shrugged. Certainly her mamma would regard the Viscount favourably. His lordship was wealthy, possessed good manners, and his height and broad shoulders equalled Major Tarrant’s. However, although she found no fault with him, Mamma might not approve of the Viscount’s skin—almost as dark as a gypsy from exposure to the sun while serving abroad—and his hair and eyes, sufficiently dark to rival any Spaniard’s. Her spirits lifted. The rectory would be a happier place with two fine young men in attendance. She was glad to be here, despite her acute concern for her family.

Sarah’s voice ended her musing. “Have you heard Tarrant inherited his godfather’s estate and fortune? Besides his pay, his income is thirty thousand pounds a year.”

Georgianne nodded. “Yes, I know. Major Tarrant is exceptionally fortunate.” Sarah blinked. “Why are you smiling?”

Georgianne stood and crossed the room to look out of the window. “I am happy because, so far, Major Tarrant and Viscount Langley have survived the war, which has taken so many lives and affected everyone in some way or another.”

She must force herself to remain cheerful. Papa had died eighteen months ago. It was time to set grief aside, if she could only find the means.

Thankfully, there was much to look forward to. After her presentation at court, she would be sure to meet many engaging gentlemen, one of whom she might marry. In time, she could help her sisters to escape their miserable existence.

Georgianne drummed her fingers on the windowsill. Her thoughts darted hither and thither. She glanced around the parlour, inhaling the odour of potpourri and lavender-scented beeswax.

Wilfred Stanton entered the room. He stood with his back to the fire, hands clasped over his paunch. “Mrs Stanton, my uncle, the Earl of Pennington, has arrived unexpectedly, and is resting after the rigours of his journey. Tarrant and his friend are busy with their horses. No, no, do not disturb yourself, my love. No need to bestir yourself on my uncle’s behalf.”

Cousin Stanton’s lips parted in a smile revealing yellowed teeth. “Ah, I know what you ladies are like. Have you been matchmaking? There must be a dozen or more eligible members of the fair sex amongst our neighbours who would be eager to meet Tarrant. If they knew of his visit, I daresay all of them would harbour thoughts of marrying him.”

“Indeed,” Sarah said in a colourless tone of voice.

Accustomed to taking long walks every day, Georgianne fidgeted. She found it difficult to tolerate Sarah’s sedentary habits.

“Sarah, will you not come for a walk? You know the doctor is concerned by your continued lethargy. Do not forget he encourages gentle exercise to improve your health.” She stared out at the dark grey clouds. Suddenly they parted and sunlight bathed her. It heightened the colour of her gown and warmed her. She reached up to smooth her bodice and noticed a movement in the shadowed east wing. Was someone peering at her through the small, diamond-shaped panes? There were no menservants in the household. Could it be Cousin Stanton’s uncle, the earl?

Sarah stepped daintily to her side, and slipped an arm around her waist. “Come, it is time to change our clothes before we dine.”



Available from: https://museituppublishing.com/bookstore2













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Saturday, 13 February 2010

Show Don't Tell - Be a Stylish Writer

Show Don’t Tell

One way to make your work fascinating is to use the active rather than the passive voice.
Passive

Passive designates a form of the verb by which the verbal action is attributed to the person or thing to whom it is actually directed: i.e. the logical object is the grammatical subject. E.g. He was seen by us. Passive. The opposite of active. Active: We saw him.

In a grammatically active construction, the subject is performing the action.

eg Jack ate the chocolate. (Jack is the subject, he’s performing the action, the chocolate is the object.)


Exposition

At the beginning of a play the dramatist is often committed to giving a certain amount of essential information about the plot and events which are to come. He may also have to give information about what has ‘already happened’. All this comes under the heading of exposition. A skilful dramatist is able to introduce material without holding up the action of the play and with recourse to the obvious devices of narrative.

Exposition is also a subject which other fiction writers need to consider. A writer might do well to remember that in Writing Circles, was, were, had, feel, felt and feeling are often considered to be passive words which tell instead of showing. A writer should also remember that modern editors and publishers tend to shy away from exposition.

***
I could have begun my published novel, Tangled Hearts, like this:

Richelda Shaw was in her nursery when Elsie, her mother’s maid, told her that her father had summoned her. After she had delivered the message, Elsie had followed her to the great hall where her father was waiting.
This tells my reader what happened but is not interesting.

Instead, I began.

“Richelda Shaw stood silent in her nursery while thunder pealed outside the ancient manor house and an even fiercer storm raged deep within. She pressed her hands to her ears and, eyes closed, remained as motionless as the marble statues in the orangery.

‘Nine years old and you’ve not yet learned to be neat!’ Elsie, her mother’s personal maid, pulled Richelda’s hands from her ears. ‘Come, your father’s waiting for you.’

Richelda’s hands trembled. What was wrong? Until now Father’s short visits from France meant gifts and laughter. This one made Mother cry while the servants spoke in hushed tones.

Followed by Elsie, Richelda hurried down the broad oak stairs. For a moment, she paused to admire the lilies of the valley in a Delft bowl. Only yesterday, she picked the flowers to welcome Father home. After she had arranged them with tender care, she placed them on a chest, which stood beneath a pair of crossed broadswords on the wall above.

Elsie opened the massive door of the great hall where Father stood to one side of the enormous hearth.
This shows the heroine acting in a way consistent with her situation, instead of telling the reader about it.
However, as for ‘telling’ being wrong, it is not. Was, were, had, feel, felt and feeling are part of the English language and if I showed every single event in a novel it would be too long for publication.

It is how I use was, were, had, feel, felt and feeling which matters, not whether or not I use them.

I need the skill to decide when telling is too much and when I should stop telling and start showing.

Characterisation

In Tangled Hearts, I could have written the following to tell my reader that Chesney, the hero, is handsome:-

“Chesney had the classical features of Adonis. He was tall, had perfect proportions and was in good health.”

Instead I wrote:-

“…‘Who is that Adonis?’ A high-pitched female voice interrupted Chesney’s thoughts.

Chesney looked round and saw a powdered and patched lady with rouged cheeks staring at him.

‘I don’t know, I think he’s a newcomer to town,’ her companion, a younger lady said in an equally strident tone.


Unaffected by their comments he laughed. Since his youth women remarked on his height and his perfect proportions. He did not consider himself vain, but unlike some members of his gentlemen’s club, who took little exercise and overate, he fenced, hunted and rode to keep his body fit.

The older lady inclined her head, the younger one winked before they went about their business.”

Of course introspection is a form of telling but it is effective and reveals the character.

In Tangled Hearts it was not enough to tell my reader that Chesney is brave. I needed to show him in action.

“Chesney rushed to the cottage. ‘Keep back, Richelda,’ he shouted, ‘the thatch will ignite like tinder.’

Taking no heed of his instructions, she ran after him and followed him down the short corridor to the kitchen where smoke poured from beneath the door. ‘I think Elsie is in there,’ Richelda screamed above the roar of the fire.

Every trace of an indolent nobleman vanished. Chesney snatched off his periwig, wrenched off his coat and swathed it round his head.

‘Go outside! Your clothes will burn like kindling.’ He disappeared into the kitchen.”
***
I believe that I must strive to grab my reader’s attention from the first line to the last, and that passive writing – or telling – weakens the prose.
When I revise my work I use the search and find facility on the computer to highlight the words which tell and decide whether or not I can improve the text.

To be a writer not only do I need to be an artist, I also need to craft my work. Words are the tools which I use to write a page turner for my readers.


Flashbacks


Chesney lived in France with his father etc., is exposition in conversation. “Do you know I lived in France at the court of James II in St Germaine etc.,” is description.

A flashback reveals something that occurred in the past as though it occurs in the present.

Even if the reader needs to know about my character’s past I am cautious as to how I reveal it.

Frequently, flashbacks are often badly written and they jerk the reader from the present to the past.

The knack is to slip in essential facts without disrupting the story - memory of something that happened in the past, the reply to a question, a letter or an entry in a diary

Tangled Hearts is set in England in 1702 at the beginning of Queen Anne’s reign. In order to avoid flashbacks full of historical detail to I began with Author’s Notes.

“When the outwardly Protestant Charles II died in 1685, he left a country torn by religious controversy but no legitimate children. The throne passed to his Catholic brother James.

It was an anxious time for the people, whose fears increased when James II, became so unpopular that he was forced into exile. In 1688, James’s Protestant daughter, Mary, and her husband, William of Orange, became the new king and queen of England.

Some English Protestants, who had sworn allegiance to James II, refused to take a new oath of allegiance to William and Mary and joined him in France.

When James’s younger daughter, Anne, inherited the throne in 1702, many Protestant exiles returned to England. Others declared themselves Jacobites and supporters of James II son, James III, by his second wife, Mary of Modena, and stayed abroad. They believed James III should be king.”

In my rough draft of Tangled Hearts the scene in the manor house when my heroine, Richelda, is a child, (quoted above) was a flashback. When I revised the novel I realised it was too long so I scrapped it and began with a prologue that contained the essential information.

Conclusion

Words are a writer’s tools. Avoid dull narrative, boring flashbacks and unnecessary exposition. Write stylishly. Words should sparkle and grip the reader.

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Monday, 21 April 2008

Tangled Love by Rosemary Morris - Authors notes and Prologue

I am proud to announce that my historical novel Tangled Love set in England in Queen Anne's reign - 1702-1714 - will be published by MuseItUp Publishing on the 27th June, 2012

Author’s Notes

When the outwardly Protestant Charles II died in 1685, he left a country torn by religious controversy but no legitimate children. The throne passed to his Catholic brother James.
It was an anxious time for the people, whose fears increased when James II, became so unpopular that he was forced into exile. In 1688, James’s Protestant daughter, Mary, and her husband, William of Orange, became the new king and queen of England.
Some English Protestants, who had sworn allegiance to James II, refused to take a new oath of allegiance to William and Mary and joined him in France.
When James’s younger daughter, Anne, inherited the throne in 1702, many Protestant exiles returned to England. Others declared themselves Jacobites and supporters of James II son, James III, by his second wife, Mary of Modena, and stayed abroad. They believed James III should be king.


Prologue
1693

Richelda Shaw stood silent in her nursery while thunder pealed outside the ancient manor house and an even fiercer storm raged deep within. She pressed her hands to her ears and, eyes closed, remained as motionless as the marble statues in the orangery.
‘Nine years old and you’ve not yet learned to be neat!’ Elsie, her mother’s personal maid, pulled Richelda’s hands from her ears. ‘Come, your father’s waiting for you.’
Richelda’s hands trembled. What was wrong? Until now Father’s short visits from France meant gifts and laughter. This one made Mother cry while the servants spoke in hushed tones.
Followed by Elsie, Richelda hurried down the broad oak stairs. For a moment, she paused to admire the lilies of the valley in a Delft bowl. Only yesterday, she picked the flowers to welcome Father home. After she had arranged them with tender care, she placed them on a chest, which stood beneath a pair of crossed broadswords on the wall above.
Elsie opened the massive door of the great hall where Father stood to one side of the enormous hearth. Richelda’s eyes searched for her mother before she spread her skirts wide and knelt before him.
Father strode forward and placed his right hand on her bent head. ‘Bless you, daughter, may God keep you safe.’ He smiled. ‘Upon my word, sweetheart, I vow the colour of your hair reminds me of a golden rose. How glad I am to see roses bloom in these troubled times.’
Richelda chewed her lower lip again. She did not know him well and dared not speak. Therefore, when he sat and beckoned to her, she hesitated.
Putting an arm round her waist, he drew her to him. ‘Come, do not be nervous of your father, child. Now, my daughter, do you know King James II now holds court in France and that his daughter, Mary, and William, his son-in-law, seized his throne?’
‘Yes, Mother told me we are well rid of King James and his Papist wife,’ she piped up, proud of her knowledge.
With a sigh, Father lifted her onto his knees and held her close. ‘Richelda, I must follow His Majesty for I swore an oath of allegiance to him. Tell me, Richelda, while the king lives how can I with honor swear allegiance to his disloyal daughter and her husband?’
Unable to think of a reply, she lowered her head.
Father held her closer. ‘Your mother pleads with me to declare myself for William and Mary and begs me not to return to France, but I am obliged to serve King James. Do you understand, Richelda?’
She nodded. Her cheek brushed against the softness of his velvet coat and she breathed in his spicy perfume.
‘If you remain in England, you will be safe. Bellemont is part of your mother’s dowry and I doubt the Crown will confiscate her estate.’
If she remained in England! Startled, she stared at him.
Smiling, he popped her onto her feet and stood. ‘Come, we shall ride. I have something to show you.’
Before long, they rode away from the house and estate. They drew rein on the brow of a hill. At its foot lay Field House, their ancestral home seized by the Roundheads soon after poor King Charles I execution.
He pointed at the Elizabethan manor house. ‘Richelda, I promised my father to do all in my power to regain the property.’ Grey-faced, he pressed his hand to his chest. ‘Alas, so far I failed to keep my oath and now I cannot,’ he wheezed.
Richelda yearned to help him keep his promise to her grandfather. She also yearned to find the gold and jewels legend said her buccaneer ancestor, Sir Nicholas, hid.
After her father breathed easy, she ventured. ‘If we found the treasure trove you could buy Field House.’
‘Ah,’ he teased, ‘You believe Sir Nicholas did not give all his plunder to Good Queen Bess.’
‘Elsie told me legend says he hid some of his booty in Field House,’ Richelda said, excited by the thought of pearls and rubies, diamonds and emeralds, gold and silver bars and coins. Less shy of him, she asked. ‘In his old age, when Sir Nicholas retired from seafaring, did he put his ship’s …’ she broke off for a moment in an attempt to remember the word and continued triumphantly, ‘…his ship’s figurehead, Lady Luck, in the great hall?’
‘Yes, for all I know she is still above a mighty fireplace carved with pomegranates, our family’s device.’
‘I want to find the treasure.’
He chuckled and wheeled his thoroughbred mare round. ‘Come, time to ride back to Bellemont.’
‘Do you know our family motto, Richelda?’
‘Fortune favours the brave.’
‘Are you brave, my little lady? Will you swear on the Bible to do all in your power to regain Field House?’
To please him, she nodded.


All the best,
Rosemary
www.rosemarymorris.com. www.rosemarymorris.blogspot.com
Tangled Hearts available from www.enspirenpress.com, amazon.com, amazon.co.uk, barnes and noble and soon in bookshops.
Tangled Hearts is set in the reign of the last Stuart monarch,Queen Anne (1702-1714)and has received five star reviews.

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Friday, 11 April 2008

Gardens Past and Present

My interest in gardening and history extends to Garden History and the effect of
changes in climate over the years.

At the moment I am reading A little History of British Gardening by
Jenny Uglow. It begins with a mention of the Iron Age in the first
Chapter: 'Did the Romans Have Rakes" and is a mine of information.

Ms Uglow describes gardens large and small, the plants and the
gardeners. She writes:

"I wish there were medieval monastic gardens for us to visit, to
wander from the cloister to the orchard, the infirmary to the fish
ponds, the paradise where flowers were grown to the rows of kale and
leeks. But even if we cannot visit them we know that the monks and
nuns enjoyed their gardens. At Winchester the clerk of works had a
private garden called 'La Joye'. And in 1108, on the day that he
died, the ailing archbishop of York walked in his garden to breathe
the air and the scent of flowers.'

Yesterday I too breathed the air at a large garden centre where I
bought a Hertfordshire Russet apple tree on dwarf stock because I live
in Hertfordshire, England, and because the shops don't sell russet apples, which are
crisp and sweet.

Unfortunately there was a frost last night and there will be another one
tonight so I'm afraid that the plum blossom will be affected and
there'll be a poor crop.

Today I tied up and fed my broad beans which I planted in the autumn
and now I can't wait for warm weather so I can plant other vegetables
some flowers and more herbs,

All the best,

Rosemary Morris

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